Use directional movement to create energy. For example, a super moving from left to right shows forward progress. A super moving from bottom to top appears uplifting. A super zooming from back to front adds impact. Conversely, avoid motion that shows the supers moving backward, falling downward or shrinking.

Easing in and out makes a movement appear less jarring. Instead of an abrupt start and stop, easing uses acceleration and deceleration to start slowly, speed up gradually, and then slow again to a gentle stop. Think of it like a driver easing onto the gas and then easing on the brakes.

Instead of moving in perfect synchronization, multi-element supers may be staggered. Adding a slight delay to subsequent elements, like a second or third line of text, creates an intriguing and satisfying effect that resolves one after another, like a line of cars arriving at a destination.

Masks may be used for an element to be gradually revealed, such as a line being drawn on or text appearing from behind an invisible wall. This effect provides a more subtle option for an element to appear mid-screen without traveling the full distance from the screen’s edge.